The Democratic Muse: Invoking the Future, Critics At Large, Donald Brackett
The CASUALTIES of CAPITALISM’S COMMERCE of TOXIC SUBSTANCES
To read more on the context and politics behind some of my work…check out my essay piece with the above title which can be found with these pieces on my website: Performance with Toxic Tee Pee (2007),
Pretend We’re Dead (2007) and OPUS EXTERNUS DOMICILIUM (2017)
“Clark’s Pirate Island Performance Series deliver us squarely into the dystopian reality of the ‘canary in the coal mine’ phenomenon, which people with Environmental Illness experience. These works depict living on the fringes of a society in denial about the increasing toxicity of the world. Along with Clark’s Poisoning/Phoenix Performance Documents series, and BUNNY GIRL, this series confronts the politics which sweep toxic contamination under the rug. They expose us to the casualties of capitalism’s commerce of toxic substances, the people (and animals, in BUNNY GIRL), which are treated as expendable to market gains…. “
The piece is also published in this online magazine piece: https://issuu.com/dynamism/docs/dynamism_01 pages 52-58
Opus Externus Domicilium essay/performance for still camera piece, published in DYNAMISM
Click to see and read my piece: THE CASUALTIES OF CAPIALISM’S COMMERCE OF TOXIC SUBSTANCES/OPUS EXTERNUS DOMICILIUM.
To see the whole magazine click the image!
ARTISTS & CLIMATE CHANGE, “PERFORMANCE, VIDEO & RITUAL IN THE ERA OF CLIMATE CHANGE” with guest blogger Monet Clark
“…our hope for the future lies within the rising of the feminine.”
Performance, Video and Ritual in the Era of Climate Change, Artists and Climate Change, Monet Clark
