A performance, video and photographic artist working on both sides of the camera in wryly humorous, semi-autobiographical, feminist pieces.
“…a remarkable show…Collectively they tell a meta-narrative but each piece is also a free standing chapter that expertly practices a narrative minimalism worthy of Linda Montano or Cindy Sherman….She plays with looking directly at the camera/viewer and yet not accusingly, as a lesser feminist artist might. It’s more of a “better-not-tell” kind of look of collaboration. -Stretcher
“The retrospective features two videos in which Clark, as both director and performer exposes herself in ways ostensibly meant to engage the (male) gaze. Yet in each of them there is a built-in revulsion, and the expectation of a purely sensual, one-sided show is soon thwarted.”
“The retrospective features two videos in which Clark, as both director and performer exposes herself in ways ostensibly meant to engage the (male) gaze. Yet in each of them there is a built-in revulsion, and the expectation of a purely sensual, one-sided show is soon thwarted.”
Screening Printing Survey Spans the Streets to the Sublime
