“Clark’s Pirate Island Performance Series deliver us squarely into the dystopian reality of the ‘canary in the coal mine’ phenomenon, which people with Environmental Illness experience. These works depict living on the fringes of a society in denial about the increasing toxicity of the world. Along with Clark’s Poisoning/Phoenix Performance Documents series, andBUNNY GIRL, this series confronts the politics which sweep toxic contamination under the rug. They expose us to the casualties of capitalism’s commerce of toxic substances, the people (and animals, in BUNNY GIRL), which are treated as expendable to market gains…. “